Sophia Carnabuci
1 Film
Sophia Carnabuci
1 Included Film

Sophia Carnabuci is a writer, filmmaker, and performer based in Brooklyn, NY. Most recently, she was a consultant and actor for Anora, the Palme d’Or recipient for the 77th Festival de Cannes and Academy Award Winner for Best Picture. Her multidisciplinary approach utilizes poetry, movement, photography, and film to express the art of storytelling. In her visual repertoire, Carnabuci seeks to capture emotion and lived experiences. Through dance, her goal is to alchemize the internal with the external, dropping into states of flow and creating moods in which her onlookers have the ability to participate. She is most excited to challenge, entertain, and offer space for dialogue.

Director: Sean Baker
Criterion/Capelight Germany/Madman Australia 4K Blu-ray
Neither Criterion nor Germany Capelight 4K Blu-ray has good encoding https://slow.pics/c/bWhRoxpi also see Criterion review with disappointing compression per Geoff D
See nic's review for more: https://forum.blu-ray.com/showpost.php?p=23180007&postcount=29.
Since posting this, I watched the Capelight in full and the anomalies the caps reveal didn’t bother me in motion. I did look out for issues and can’t really complain. The trickiest scenes are those set in daylight, particularly in the third act, and the Criterion looks terrible here. Unfortunately the caps are just from the first hour but in doing comparisons with the discs, I noticed that Capelight managed to resolve detail more evenly and makes for a more satisfying experience in my mind.
Australia Madman is very similar to Criterion, see caps provided by Joel https://slow.pics/c/9MDRLoOl and https://slow.pics/c/1EVsFQCZ

Director: Sean Baker
Criterion/Capelight Germany/Madman Australia 4K Blu-ray
Neither Criterion nor Germany Capelight 4K Blu-ray has good encoding https://slow.pics/c/bWhRoxpi also see Criterion review with disappointing compression per Geoff D
See nic's review for more: https://forum.blu-ray.com/showpost.php?p=23180007&postcount=29.
Since posting this, I watched the Capelight in full and the anomalies the caps reveal didn’t bother me in motion. I did look out for issues and can’t really complain. The trickiest scenes are those set in daylight, particularly in the third act, and the Criterion looks terrible here. Unfortunately the caps are just from the first hour but in doing comparisons with the discs, I noticed that Capelight managed to resolve detail more evenly and makes for a more satisfying experience in my mind.
Australia Madman is very similar to Criterion, see caps provided by Joel https://slow.pics/c/9MDRLoOl and https://slow.pics/c/1EVsFQCZ
1 film